英语小说人物分析怎么写
㈠ 【200】英文小说读物<monkey paw>人物分析
第一篇 review
Mr. White
Character Analysis
Mr. White is the elderly man who buys the monkey's paw and uses it to wish for two hundred pounds (British money) in order to pay off the loan on his house. At the beginning of the story, he's skeptical about the paw. Is it magical, or is it just an icky piece of junk? By the end of the story, though, he's totally convinced of its powers.
"The Monkey's Paw" is a tragedy, the story of Mr. White's fall from a basically happy life to one full of fear, doubt, guilt, and loneliness when his son dies and his wife breaks down. We might see "The Monkey's Paw" as the story of a foolish man who makes foolish wishes and pays the price. We might also see it as the story of a man who learns to be strong when life gets tough.
Why Wish on a Cursed Monkeys Paw?
Mr. White seems like a kindhearted man, eager to please his wife and son. Still, he is a little reckless (as his chess game suggests) and a bit dissatisfied with his life. He complains about living in the middle of nowhere and wishes he could visit India, like Sergeant-Major Morris. Yet, before he makes his first wish, he makes this claim:
"I don't know what to wish for, and that's a fact," he said, slowly. "It seems to me I've got all I want." (1.54)
Mr. White is very human. Like most people he has conflicting desires and emotions. We can want to be home and somewhere else at the same time. We see him as a bit of a dreamer, a man who wants to experience something exciting in his old age. This dream combines with his desire to make life easier for his family by paying off the house and drives him to wish on the paw.
第二篇
Mr. White
Mr. White’s grief is twofold as he laments his son’s death as well as his decision to wish on the monkey’s paw in the first place. Unlike his wife, Mr. White realizes he should have never invited trouble by wishing for the two hundred pounds or to bring Herbert back to life. The fact that he believes an unholy creature stands knocking at his door instead of his son suggests that he feels guilty for having let selfishness overtake him when he made his wishes. Instead of passing off the knocking as an unrelated coincidence, he immediately jumps to the conclusion that evil stands on the other side, as if believing the paw has punished him for being greedy. His decision to wish the unwanted visitor away with his third wish may reflect his desire to not only save his and Mrs. White’s lives, but also redeem himself for his sins.
㈡ 鲁滨逊的人物分析 最主要是要中英文对照的
Analysis of Major Characters
Robinson Crusoe
While he is no flashy hero or grand epic adventurer, Robinson Crusoe displays character traits that have won him the approval of generations of readers. His perseverance in spending months making a canoe, and in practicing pottery making until he gets it right, is praiseworthy. Additionally, his resourcefulness in building a home, dairy, grape arbor, country house, and goat stable from practically nothing is clearly remarkable. The Swiss philosopher Jean-Jacques Rousseau applauded Crusoe’s do-it-yourself independence, and in his book on ecation, Emile, he recommends that children be taught to imitate Crusoe’s hands-on approach to life. Crusoe’s business instincts are just as considerable as his survival instincts: he manages to make a fortune in Brazil despite a twenty-eight-year absence and even leaves his island with a nice collection of gold. Moreover, Crusoe is never interested in portraying himself as a hero in his own narration. He does not boast of his courage in quelling the mutiny, and he is always ready to admit unheroic feelings of fear or panic, as when he finds the footprint on the beach. Crusoe prefers to depict himself as an ordinary sensible man, never as an exceptional hero.
But Crusoe’s admirable qualities must be weighed against the flaws in his character. Crusoe seems incapable of deep feelings, as shown by his cold account of leaving his family—he worries about the religious consequences of disobeying his father, but never displays any emotion about leaving. Though he is generous toward people, as when he gives gifts to his sisters and the captain, Crusoe reveals very little tender or sincere affection in his dealings with them. When Crusoe tells us that he has gotten married and that his wife has died all within the same sentence, his indifference to her seems almost cruel. Moreover, as an indivial personality, Crusoe is rather ll. His precise and deadpan style of narration works well for recounting the process of canoe building, but it tends to drain the excitement from events that should be thrilling. Action-packed scenes like the conquest of the cannibals become quite humdrum when Crusoe narrates them, giving us a detailed inventory of the cannibals in list form, for example. His insistence on dating events makes sense to a point, but it ultimately ends up seeming obsessive and irrelevant when he tells us the date on which he grinds his tools but neglects to tell us the date of a very important event like meeting Friday. Perhaps his impulse to record facts carefully is not a survival skill, but an irritating sign of his neurosis.
Finally, while not boasting of heroism, Crusoe is nonetheless very interested in possessions, power, and prestige. When he first calls himself king of the island it seems jocund, but when he describes the Spaniard as his subject we must take his royal delusion seriously, since it seems he really does consider himself king. His teaching Friday to call him “Master,” even before teaching him the words for “yes” or “no,” seems obnoxious even under the racist standards of the day, as if Crusoe needs to hear the ego-boosting word spoken as soon as possible. Overall, Crusoe’s virtues tend to be private: his instry, resourcefulness, and solitary courage make him an exemplary indivial. But his vices are social, and his urge to subjugate others is highly objectionable. In bringing both sides together into one complex character, Defoe gives us a fascinating glimpse into the successes, failures, and contradictions of modern man.
Friday
Probably the first nonwhite character to be given a realistic, indivialized, and humane portrayal in the English novel, Friday has a huge literary and cultural importance. If Crusoe represents the first colonial mind in fiction, then Friday represents not just a Caribbean tribesman, but all the natives of America, Asia, and Africa who would later be oppressed in the age of European imperialism. At the moment when Crusoe teaches Friday to call him “Master” Friday becomes an enring political symbol of racial injustice in a modern world critical of imperialist expansion. Recent rewritings of the Crusoe story, like J. M. Coetzee’s Foe and Michel Tournier’s Friday, emphasize the sad consequences of Crusoe’s failure to understand Friday and suggest how the tale might be told very differently from the native’s perspective.
Aside from his importance to our culture, Friday is a key figure within the context of the novel. In many ways he is the most vibrant character in Robinson Crusoe, much more charismatic and colorful than his master. Indeed, Defoe at times underscores the contrast between Crusoe’s and Friday’s personalities, as when Friday, in his joyful reunion with his father, exhibits far more emotion toward his family than Crusoe. Whereas Crusoe never mentions missing his family or dreams about the happiness of seeing them again, Friday jumps and sings for joy when he meets his father, and this emotional display makes us see what is missing from Crusoe’s stodgy heart. Friday’s expression of loyalty in asking Crusoe to kill him rather than leave him is more heartfelt than anything Crusoe ever says or does. Friday’s sincere questions to Crusoe about the devil, which Crusoe answers only indirectly and hesitantly, leave us wondering whether Crusoe’s knowledge of Christianity is superficial and sketchy in contrast to Friday’s full understanding of his own god Benamuckee. In short, Friday’s exuberance and emotional directness often point out the wooden conventionality of Crusoe’s personality.
Despite Friday’s subjugation, however, Crusoe appreciates Friday much more than he would a mere servant. Crusoe does not seem to value intimacy with humans much, but he does say that he loves Friday, which is a remarkable disclosure. It is the only time Crusoe makes such an admission in the novel, since he never expresses love for his parents, brothers, sisters, or even his wife. The mere fact that an Englishman confesses more love for an illiterate Caribbean ex-cannibal than for his own family suggests the appeal of Friday’s personality. Crusoe may bring Friday Christianity and clothing, but Friday brings Crusoe emotional warmth and a vitality of spirit that Crusoe’s own European heart lacks.
The Portuguese Captain
The Portuguese captain is presented more fully than any other European in the novel besides Crusoe, more vividly portrayed than Crusoe’s widow friend or his family members. He appears in the narrative at two very important junctures in Crusoe’s life. First, it is the Portuguese captain who picks up Crusoe after the escape from the Moors and takes him to Brazil, where Crusoe establishes himself as a plantation owner. Twenty-eight years later, it is again the Portuguese captain who informs Crusoe that his Brazilian investments are secure, and who arranges the sale of the plantation and the forwarding of the proceeds to Crusoe. In both cases, the Portuguese captain is the agent of Crusoe’s extreme good fortune. In this sense, he represents the benefits of social connections. If the captain had not been located in Lisbon, Crusoe never would have cashed in on his Brazilian holdings. This assistance from social contacts contradicts the theme of solitary enterprise that the novel seems to endorse. Despite Crusoe’s hard indivial labor on the island, it is actually another human being—and not his own resourcefulness—that makes Crusoe wealthy in the end. Yet it is doubtful whether this insight occurs to Crusoe, despite his obvious gratitude toward the captain.
Moreover, the Portuguese captain is associated with a wide array of virtues. He is honest, informing Crusoe of the money he has borrowed against Crusoe’s investments, and repaying a part of it immediately even though it is financially difficult for him to do so. He is loyal, honoring his ties toward Crusoe even after twenty-eight years. Finally, he is extremely generous, paying Crusoe more than market value for the animal skins and slave boy after picking Crusoe up at sea, and giving Crusoe handsome gifts when leaving Brazil. All these virtues make the captain a paragon of human excellence, and they make us wonder why Defoe includes such a character in the novel. In some ways, the captain’s goodness makes him the moral counterpart of Friday, since the European seaman and the Caribbean cannibal mirror each other in benevolence and devotion to Crusoe. The captain’s goodness thus makes it impossible for us to make oversimplified oppositions between a morally bankrupt Europe on the one hand, and innocent noble savages on the other.
主要性状分析
鲁宾逊漂流记
虽然他没有花哨的宏伟史诗英雄或冒险家，鲁滨逊克鲁索显示字符，他赢得了几代读者的批准特征。他的毅力支出月作出独木舟，并在实践制陶，直到他得到正确，是值得称赞的。此外，他机智建设一个家，奶制品，葡萄乔木，乡间别墅，
和山羊的几乎没有稳定显然是显着。瑞士哲学家卢梭称赞克鲁索的一切事情都需自己独立，在他关于教育的书，埃米尔，他建议是C
承运被教模仿克鲁索的动手的生活态度。克鲁索的商业本能，只是他的相当大的生存本能：他成功地使财富在巴西，尽管28年的情况下，甚至留给黄金好的收集他的岛屿。此外，鲁滨逊是从来没有兴趣在描绘成一个在他自己的叙述自己的英雄。他不夸耀自己的勇气，在平息叛乱，他随时准备承认恐惧或恐慌unheroic感受，因为当他发现海滩上的足迹。克鲁索喜欢描绘为一个普通的明智的人本身，从来没有作为一项特殊的英雄。
但是，克鲁索的令人钦佩的素质，必须权衡他的性格中的缺陷。克鲁索似乎无法深厚的感情，正如他在离开他的家人冷帐户中显示，他担心的不服从他的父亲的宗教影响，但不会显示任何离开的情绪。虽然他是对人慷慨，
作为礼物时，他给他的姐妹和船长，克鲁索发现与他们打交道的很少投标或真挚的感情。当克鲁索告诉我们，他已经结了婚，他的妻子已去世在同一个句子所有的冷漠，她似乎是残酷的。 Moreove
ṛ，作为个人的个性，鲁滨逊是相当沉闷。他的精确不动声色的叙事风格可以很好地诉说着独木舟建设过程中，但它往往流失的事件，应该兴奋激动。行动包装一样的食人族征服场面变得相当单调瓦
中文克鲁索叙述他们，给我们一个在列表的形式在食人族的详细清单，例如。他在约会事件坚持有意义一点，但它最终结束了表面上的迷恋和不相干的，他告诉我们的日期，他研磨的工具，而忽略他告诉我们，像周五会议很重要事件的日期。也许他的冲动，仔细记录事实，不是一个生存的技能，而是他的神经刺激的迹象。
最后，虽然不是英雄吹嘘，克鲁索但很感兴趣，财产，权力和威望。当他第一次自称岛屿似乎欢乐的国王，但他称他为主题，我们必须考虑他的王室妄想严重，因为他似乎真的认为自己的西班牙国王。他的教学星期五称他为“师父，
“甚至在他的教学”是“或”不是“，似乎厌恶即使在当今的种族主义标准的话，仿佛克鲁索需要听到的自我提高，尽快口语。总体而言，克鲁索的美德往往是私人：他的行业，足智多谋和勇气，让他孤独的模范个人。但他恶习的社会，
他敦促征服别人是非常讨厌的。在使一个复杂的性格双方共同努力，迪福给了我们一个进入成功，失败迷人的一瞥，现代人的矛盾。
星期五
也许是第一个非白人字符给予英语小说的现实，个性化和人性化的形象，星期五拥有庞大的文学和文化的重要性。如果克鲁索代表了第一个殖民地小说主意，那么周五代表的不仅是一个加勒比部落，但所有当地人对美洲，亚洲，
和非洲谁后来被压迫在欧洲帝国主义时代。目前任教时，克鲁索周五称他为“大师”星期五成为持久的种族不平等的政治符号在现代世界的帝国主义扩张的关键。最近的重写
在克鲁索的故事，强调像库切的敌人和米歇尔图尼埃的周五，克鲁索未能理解周五的悲惨后果，并建议如何解决这个故事很可能会告诉不同于本土的观点。
除了他的重要性，我们的文化，周五是在小说中的关键人物。在许多方面他是最活跃的鲁滨逊克鲁索性格，更多的魅力，比他的主人丰富多彩。事实上，有时迪福强调克鲁索之间的和周五的性格相反的，当周五，在他的欢乐与父亲团聚，
展品向他的家人比克鲁索更为激动。而克鲁索没有提及他的家人或丢失对再次见到他们，星期五幸福的梦想和欢乐跳会晤时，他唱他的父亲，这情感表现让我们看到什么是从克鲁索的乏味的心失踪。周五公布的忠诚表达要求克鲁索要杀死他，而不是离开他
更衷心比以往任何克鲁索所说的，所做。周五的真诚问题克鲁索对魔鬼，它只能间接地回答克鲁索和迟疑，让我们怀疑漂流的基督教知识是肤浅，相反，周五他自己的上帝Benamuckee充分认识粗略。总之，今天的繁荣和情感直接往往出在克鲁索的个性木套子点。
尽管上周五的征服，然而，克鲁索赞赏星期五远远超过他只是仆人。克鲁索似乎没有价值与人类的亲密不多，但他说他喜欢星期五，这是一个了不起的披露。这是唯一的一次漂流作出这样的小说中承认，因为他从来没有对他的父母，兄弟，姐妹，甚至他的妻子的爱。
这一事实英国人坦承一个文盲加勒比前比为自己的家人吃人的暗示周五的个性吸引了更多的爱。克鲁索可能带来星期五基督教和服装，但在上周五克鲁索带来温暖和情感的精神，鲁滨逊自己的欧洲心脏病缺乏活力。
葡萄牙队长
葡萄牙队队长，提出更充分的比任何其他在欧洲之外克鲁索小说，更形象地比克鲁索的遗孀朋友或家人的主题。他出现在两个非常重要的漂流生活时刻在说明中。首先，这是谁的葡萄牙队队长后，拿起克鲁索从摩尔人逃脱，带他到巴西，
在克鲁索定为种植园主本人。 28年后，又是谁告诉葡萄牙队队长，他的克鲁索巴西的投资是安全的，谁安排的种植销售和收益的转发到漂流记。在这两种情况下，葡萄牙队队长，是漂流的极端好运剂。在这
意义上说，他是代表社会关系的好处。如果队长没有设在里斯本，克鲁索永远不会兑现他的巴西持有。这从社会交往的援助违反了孤独的企业，小说似乎赞同的主题。尽管克鲁索很难在岛上，我个人劳动
吨实际上是另一个人，而不是他自己的机智，使克鲁索最终富裕。然而，令人怀疑这是否了解发生的鲁滨逊，尽管他对船长明显的感谢。
此外，葡萄牙船长与一个广泛的美德。他是诚实的，通知他已借反对克鲁索的投资，以及偿还它的一部分，即使立即在财政困难的他这样做钱克鲁索。他是忠诚，即使在表彰二十八年对鲁滨逊的职务。最后，他非常慷慨，
付款后，在海上漂流了采摘克鲁索低于市场的兽皮和奴隶男孩更多的价值，并给予鲁滨逊在离开巴西漂亮的礼物。所有这些优点使船长一人的优秀典范，他们使我们想知道为什么迪福包括这样一个新特点。在某些方面，船长的善良使他成为道德对口日星期五，由于
欧洲水手和加勒比食人族镜子中的每个善，奉献克鲁索其他。船长的善良，从而使我们无法作出道德沦丧之间的欧洲一方面过于简单的对立，和其他无辜的高尚的野蛮人。
㈢ 请专业英语高手翻译《爱玛》人物分析（拒机器翻译）
"Emma" is well-known British writer Jane Austen's lengthy masterpiece, is a complex comedy plot. To say that Miss Emma wealthy intelligent, passionate, beautiful, pretentious, she did not intend to marry his girlfriend is very keen to matchmaking, marriage match. She subjective conjecture haphazard, the result is frustrated, who got burnt. She painstakingly Weiren match, sudden, a number of misunderstandings, but they helped with the end itself into love. In real life, Emma has finally realized the mistake, accept the teachings of true love to Haibo Li three pairs of different types of young people formed a life-long benefits advocated, the original commitment to lifelong non-married Emma also went into the marriage "Castle" .
Austen's novel to mundane trivial things as a theme, but being in the loss to see big, show special artistic skills, have considerable appeal.。 "Emma," a book that she is a typical manifestation of this can be. The book does not have a soul-stirring scene, only small things of daily life to write, however structured, plot twists and turns, writing is meticulous, language, humor, suspense one after another, fun colors and characters leap off the paper. No wonder the majority of contemporary commentators believe that in her six novels, the most outstanding and most representative of her style is "Emma." But the novel's heroine, Emma, Austin is considered to be "an addition to what I myself and no one would very much like the hero."
Emma, his father, Woodhouse is the richest single-Goldhaber. She herself beautiful, cheerful temperament, Ershiyinian came to the carefree life. She was very compassionate, the poor are, unfortunately, will both get her attend to the care and attention, counseling and patient comfort, but also to get her generous help solve the problem.But she is not inherent in the hearts of the United States and Germany, or the indestructible quality, but the continuous development and improvement, with the continued progress of mind, overcoming the deficiencies and shortcomings and graally formed.
Emma personality wrangling, who thinks highly of. She can not correctly understand their own too conceited, nor can impose their own ideas on others life. She subjective act to remedy the troubled world that is her responsibility, but she always over-confident they are right, but in fact has always committed its own embarrassing mistakes. She came from is unknown, but her character is gentle, simple as a good companion, Harriet, and strongly wanted her to go with matching Elton pastor. But she not only wrong, this pastor's personality, (she thought he only cares about beauty and love but not with the origin, then the one proced), also did not see become pastors to pursue their own objects, and thus causing both to Harriet injury, also put himself cruelly air. Then she was blinded by Churchill, Winston Churchill was mistaken love her, and found groundless head Jane fell in love with a married man has. Little do they know, and Churchill has been secretly engaged to Jane, she is only Churchill, who used to cover the eyes and ears tools. 。 When she soon realized his own, when Churchill did not fall in love, it also encouraged Harriet, but she did not divulge the names of Winston Churchill, unwittingly asked to encourage Harriet fell in love with Knightley, in fact, Mr. Nye has long been the love of with Emma, Emma has been as self-deception to think that he, like her, nothing lacking, is not necessary to get married, until she realized the danger of losing Knightley only when suddenly realize, Mr. Knightley can not be others, only with her married Emma.
㈣ 英文小说小王子选取一个人物进行分析，比如就小王子分析性格特点。用一个四字成语去总结先，下面接着去分
摘要 小王子
㈤ 雾都孤儿的 英文概要和人物分析。
第一章 奥利弗出生地及出生时的种种情况
Chapter 1 Treats of the Place Where Oliver Twist Was Born; and of the Circumstances Attending His Birth
第二章 奥利弗成长、教育和膳食情况
Chapter 2 Treats of Oliver Twist's Growth, Ecation,and Board
第三章 奥利弗差点找到一份并非挂名的差事
Chapter 3 Relates How Oliver Twist Was Very Near Getting a Place, Which Would Not Have Been a Sinecure
第四章 奥利弗得到另一职位并初次走上社会
Chapter 4 Oliver，Being Offered Another Place，Makes His First Entry into Public Life
第五章 奥利弗与新同事打成一片。平生第一次参加葬礼，
便对老板的生意有了不合时宜的成见
Chapter 5 Oliver Mingles with New Associates. Going to a Funeral for the First Time，He Forms an Unfavourable Notion of His Master's Business
第六章 奥利弗奋力反抗诺亚，令诺亚大吃一惊
Chapter 6 Oliver, Being Goaded by the Taunts of Noah，Rouses into Action, and Rather Astonishes Him
第七章 奥利弗依旧倔强
Chapter 7 Oliver Continues Refractory
第八章 奥利弗步行到伦敦，路上遇见一位怪异的年轻绅士
Chapter 8 Oliver Walks to London. He Encounters on the Road a Strange Sort of Young Gentleman
第九章 快活的老绅士和他充满希望的弟子们
Chapter 9 Containing Further Particulars Concerning the Pleasant Old Gentleman, and His Hopeful Pupils
第十章 奥利弗对新伙伴的性格有了更进一步的了解，并以昂贵的
代价取得了经验。本故事虽然很短，但很重要
Chapter 10 Oliver Becomes Better Acquainted with the Characters of His New Associates; And Purchases Experience at a High Price.Being a Short, But Very Important Chapter, in This History
第十一章 警务司法官范昂先生及其审判工作小范例
Chapter 11 Treats of Mr. Fang the Police Magistrate; and Furnishes a Slight Specimen of His Mode of Administering Justice
第十二章 奥利弗得到前所未有的照料。再说说那位快活的老绅士和他年轻的朋友们
Chapter 12 In Which Oliver is Taken Better Care of Than He Ever Was Before. And in Which the Narrative Reverts to the Merry Old Gentleman and His Youthful Friends
第十三章 向聪明的读者介绍了一些新相识：叙述与本故事有关的、
跟这些人有联系的各种趣事
Chapter 13 Some New Acquaintances are Introced to the Intelligent Reader, Connected With Whom Various Pleasant Matters are Related，Appertaining to This History
第十四章 进一步叙述奥利弗住在布朗罗先生家里的情况。他出去
办事时，格林威格先生对奥利弗作出的令人惊讶的预言
Chapter 14 Comprising Further Particulars of Oliver's Stay at Mr. Brownlow's, With the Remarkable Prediction Which One Mr.Grimwig Uttered Concerning Him，When He Went Out on an Errand
第十五章 那位快活的老绅士和南希小姐是怎样喜欢奥利弗的
Chapter 15 Showing How Very Fond of Oliver Twist, The Merry Old Jew and Miss Nancy Were
第十六章 奥利弗被南希领回后的情况
Chapter 16 Relates What Became of Oliver Twist, After He Had Been Claimed by Nancy
第十七章 奥利弗的厄运在继续。一位大人物到伦敦来毁坏他的名声
Chapter 17 Oliver's Destiny Continuing Unpropitious，Brings a Great Man to London to Injure His Reputation
第十八章 奥利弗在他的良师益友圈子中消磨时光
Chapter 18 How Oliver Passed His Time in the Improving Society of His Reputable Friends
第十九章 讨论并决定一个重要计划
Chapter 19 In Which a Notable Plan is Discussed and Determined on
第二十章 奥利弗被托付给塞克斯先生
Chapter 20 Wherein Oliver is Delivered Over to Mr. William Sikes
第二十一章 远行
Chapter 21 The Expedition
第二十二章 夜盗
Chapter 22 The Burglary
第二十三章 邦布尔先生和一位太太进行了一次愉快的谈话，说明即便是牧师助理也可能多愁善感
Chapter 23 Which Contains the Substance of a Pleasant Conversation Between Mr. Bumble and a Lady; and Shows That Even a Beadle May be Susceptible on Some Points
第二十四章 一个非常乏味的话题，虽然很短，也许你会发现它在故事中的重要性
Chapter 24 Treats of a Very Poor Subject. But is a Short One，and May Be Found of Importance in This History
第二十五章 故事又回到费金先生和他的同伙
Chapter 25 Wherein This History Reverts to Mr. Fagin and Company
第二十六章 一位神秘人物出现了，还发生了许多与本故事有关的事
Chapter 26 In Which a Mysterious Character Appears Upon the Scene; and Many Things，Inseparable From This History，are Done and Performed
第二十七章 为在上一章中很没礼貌地把一位太太丢在
一旁而赔罪
Chapter 27 Atones for the Unpoliteness of a Former Chapter; Which Deserted a Lady，Most Unceremoniously
第二十八章 关照奥利弗并开始讲述他的奇遇
Chapter 28 Looks After Oliver，and Proceeds with His Adventures
第二十九章 奥利弗投靠的这户人家
Chapter 29 Has an Introctory Account of the Inmates of the House to Which Oliver Resorted
第三十章 新探视者对奥利弗的印象
Chapter 30 Relates What Oliver's New Visitors Thought of Him
第三十一章 危急时刻
Chapter 31 Involves a Critical Position
第三十二章 奥利弗开始和善良的朋友们过着快乐的生活
Chapter 32 Of the Happy Life Oliver Began to Lead With
His Kind Friends
第三十三章 奥利弗和他朋友们的快乐生活意外中断
Chapter 33 Wherein the Happiness of Oliver and His Friends，
Experiences a Sudden Check
第三十四章 一位新登场的年轻绅士和奥利弗的新奇遇
Chapter 34 Contains Some Introctory Particulars Relative to a Young Gentleman Who Now Arrives Upon the Scene;and a New Adventure Which Happened to Oliver
第三十五章 奥利弗的奇遇没有结果，梅莱和露西之间进行了
一次很重要的谈话
Chapter 35 Containing the Unsatisfactory Result of Oliver's Adventure; and a Conversation of Some Importance Between Harry Maylie and Rose
第三十六章 这是很短的一章，看起来也不很重要，但却承上启下
Chapter 36 Is a Very Short One，and May Appear of No Great Importance in Its Place，But It Should Be Read Notwithstanding，as a Sequel to The Last, and a Key to One That Will Follow
When Its Time Arrives
第三十七章 读者可以了解到婚前婚后截然不同的寻常现象
Chapter 37 In Which the Reader May Perceive a Contrast，
Not Uncommon in Matrimonial Cases
第三十八章 邦布尔夫妇和孟克斯先生晚间会面的情况
Chapter 38 Containing an Account of What Passed Between Mr. and Mrs. Bumble, and Mr. Monks，at Their Nocturnal Interview
第三十九章 读者熟悉的一些体面人物又登场了，
还说说孟克斯和犹太人如何一起策划事情
Chapter 39 Introces Some Respectable Characters With Whom the Reader Is Already Acquainted, and Shows How Monks and The Jew Laid Their Worthy Heads Together
第四十章 与上一章发生的故事相衔接的一次奇怪会面
Chapter 40 A Strange Interview，Which Is a Sequel to the Last Chamber
第四十一章 一些新发现，祸不单行
Chapter 41 Containing Fresh Discoveries，and Showing That Surprises，Like Misfortunes，Seldom Come Alone
第四十二章 一位显示天才特征的奥利弗的老熟人成了
伦敦的名人
Chapter 42 An Old Acquaintance of Oliver's，Exhibiting Decided Marks of Genius，Becomes a Public Character in the Metropolis
第四十三章 机灵的蒙骗者陷入了困境
Chapter 43 Wherein is Shown How the Artful Dodger Got into Trouble
第四十四章 南希践约的时间到了，但她却没有前往
Chapter 44 The Time Arrives for Nancy to Redeem Her Pledge to Rose Maylie. She Fails
第四十五章 费金雇用诺亚实施一项秘密使命
Chapter 45 Noah Claypole is Employed by Fagin on a Secret Mission
第四十六章 践约
Chapter 46 The Appointment Kept
第四十七章 致命的后果
Chapter 47 Fatal Consequences
第四十八章 塞克斯逃亡
Chapter 48 The Flight of Sikes
第四十九章 孟克斯和布朗罗先生终于见面了。他们的谈话，
以及打断这次谈话的消息
Chapter 49 Monks and Mr. Brownlow at Length Meet. Their Conversation，and the Intelligence That Interrupts It
第五十章 追击与逃亡
Chapter 50 The Pursuit and Escape
第五十一章 为多个秘密提供说明，其中还包括了一次
不涉及嫁妆和私房钱的求婚
Chapter 51 Affording an Explanation of More MysteriesThan One，and Comprehending a Proposal of Marriage With No Word of Settlement or Pinmoney
第五十二章 费金在世时的最后一晚
Chapter 52 Fagin's Last Night Alive
第五十三章 尾声
Chapter 53 And LastCharacter ListOliver Twist - The novel’s protagonist. Oliver is an orphan born in a workhouse, and Dickens uses his situation to criticize public policy toward the poor in 1830s England. Oliver is between nine and twelve years old when the main action of the novel occurs. Though treated with cruelty and surrounded by coarseness for most of his life, he is a pious, innocent child, and his charms draw the attention of several wealthy benefactors. His true identity is the central mystery of the novel.Fagin - A conniving career criminal. Fagin takes in homeless children and trains them to pick pockets for him. He is also a buyer of other people’s stolen goods. He rarely commits crimes himself, preferring to employ others to commit them—and often suffer legal retribution—in his place. Dickens’s portrait of Fagin displays the influence of anti-Semitic stereotypes.Nancy - A young prostitute and one of Fagin’s former child pickpockets. Nancy is also Bill Sikes’s lover. Her love for Sikes and her sense of moral decency come into conflict when Sikes abuses Oliver. Despite her criminal lifestyle, she is among the noblest characters in the novel. In effect, she gives her life for Oliver when Sikes murders her for revealing Monks’s plots.
㈥ 狄更斯小说《大卫科波菲尔》人物分析（英文版）
The story is told almost entirely from the point of view of the first person narrator, David Copperfield himself, and was the first Dickens novel to do so.
Critically, it is considered a Bilngsroman and would be influential in the genre which included Dickens's own Great Expectations (1861), Thomas Hardy's Jude the Obscure, Samuel Butler's The Way of All Flesh, H. G. Wells's Tono-Bungay, D. H. Lawrence's Sons and Lovers, and James Joyce's Portrait of the Artist as a Young Man.
As a bilngsroman, it has one major theme throughout, the disciplining of the hero's emotional and moral life. We learn to go against "the first mistaken impulse of the undisciplined heart", a theme which is repeated throughout all the relationships and characters in the novel.
Characters in the novel generally belong to one of three categories: Those who have disciplined hearts, those who lack disciplined hearts, or those who develop disciplined hearts over time. Characters who fall into the first category include the mature and caring Agnes Wickfield and the selfless and forgiving Mr. Peggotty. The greedy, scheming Uriah Heep and the egotistic and inconsiderate James Steerforth are examples of characters who belong in the second category. Members of the third category include David Copperfield himself, who learns to make wiser choices in his relationships through personal experience, and his aunt Betsy Trotwood, who lacks consideration for others early on, but becomes less inconsiderate over time. Dickens uses characters and events throughout the novel as comparisons and contrasts for each other in terms of wisdom and discipline. A good comparison is Agnes Wickfield and Dora Spenlow: Dora lacks maturity and is unable to handle stressful situations, often breaking out in tears, while Agnes remains calm and collected even when troubled, yielding to her emotions only rarely. Another good comparison is Ham and Mr. Peggotty, and Mrs. Steerforth and Miss Dartle: The latter two become distraught at the loss of Steerforth, allowing it to trouble them their whole lives, while the former two bear the loss of Emily with dignity and reservation. Despite the premise of this work, Dickens does not give David Copperfield a stiff or unnatural feel, making this novel a supreme display of his genius at work.[citation needed]
Analysis of Major Characters
David Copperfield
Although David narrates his story as an alt, he relays the impressions he had from a youthful point of view. We see how David’s perception of the world deepens as he comes of age. We see David’s initial innocence in the contrast between his interpretation of events and our own understanding of them. Although David is ignorant of Steerforth’s treachery, we are aware from the moment we meet Steerforth that he doesn’t deserve the alation David feels toward him. David doesn’t understand why he hates Uriah or why he trusts a boy with a donkey cart who steals his money and leaves him in the road, but we can sense Uriah’s devious nature and the boy’s treacherous intentions. In David’s first-person narration, Dickens conveys the wisdom of the older man implicitly, through the eyes of a child.
David’s complex character allows for contradiction and development over the course of the novel. Though David is trusting and kind, he also has moments of cruelty, like the scene in which he intentionally distresses Mr. Dick by explaining Miss Betsey’s dire situation to him. David also displays great tenderness, as in the moment when he realizes his love for Agnes for the first time. David, especially as a young man in love, can be foolish and romantic. As he grows up, however, he develops a more mature point of view and searches for a lover who will challenge him and help him grow. David fully matures as an alt when he expresses the sentiment that he values Agnes’s calm tranquility over all else in his life.
Uriah Heep
Uriah serves a foil to David and contrasts David’s qualities of innocence and compassion with his own corruption. Though Uriah is raised in a cruel environment similar to David’s, Uriah’s upbringing causes him to become bitter and vengeful rather than honest and hopeful. Dickens’s physical description of Uriah marks Uriah as a demonic character. He refers to Uriah’s movements as snakelike and gives Uriah red hair and red eyes. Uriah and David not only have opposing characteristics but also operate at cross-purposes. For example, whereas Uriah wishes to marry Agnes only in order to hurt David, David’s marriages are both motivated by love. The frequent contrast between Uriah’s and David’s sentiments emphasizes David’s kindness and moral integrity.
While David’s character development is a process of increased self-understanding, Uriah grows in his desire to exercise control over himself and other characters. As Uriah gains more power over Mr. Wickfield, his sense of entitlement grows and he becomes more and more power-hungry. The final scenes of the novel, in which Uriah praises his jail cell because it helps him know what he should do, show Uriah’s need to exert control even when he is a helpless prisoner. But imprisonment does not redeem his evil—if anything, it compounds his flaws. To the end, Uriah plots strategies to increase his control. Because he deploys his strategies to selfish purposes that bring harm to others, he stands out as the novel’s greatest villain.
James Steerforth
Steerforth is a slick, egotistical, wealthy young man whose sense of self-importance overwhelms all his opinions. Steerforth underscores the difference between what we understand as readers and what David sees—and fails to see—in his youthful naïveté. David takes Steerforth’s kindness for granted without analyzing his motives or detecting his plicity. When Steerforth befriends David at Salem House, David doesn’t suspect that Steerforth is simply trying to use David to make friends and gain status. Though Steerforth belittles David from the moment they meet, David is incapable of conceiving that his new friend might be taking advantage of him. Because Steerforth’s plicity is so clear to us, David’s lack of insight into Steerforth’s true intentions emphasizes his youthful innocence. Steerforth likes David only because David worships him, and his final betrayal comes as a surprise to David but not to us.
㈦ 用英文分析美国文学作品里的一个人物
<越狱>中的人物
Charles Patoshik-隐士
他是个奇怪的人物，因为谋杀了自己的父母而判了60年，在进监狱之前，Patoshik是一位在数学方面有着杰出天赋的博士候选人，专注于一种几何模型——“不规则碎片形”的研究。就是在这种高强度研究的压力下，他开始表现出明显的精神疾病的症状。不久以后，尽管没有暴力倾向，Patoshik 来到他父母的房子，挥舞着散弹枪，走进卧室，对着熟睡中的父母，扣动了扳机，将他们杀害。虽然神经很有问题，可是对于越狱这件事可毫不含糊，不过也感谢这个人，在我们观看紧张的剧情时会有舒缓的瞬间，每当他出场的时候连背景音乐都变的轻快诙谐了。
译文
He is a strange person, because the murder of their parents and sentenced to 60 years in prison before Patoshik in mathematics is a gifted with outstanding doctoral candidate, focused on a geometric model - "irregular-shaped debris "study. It was in this high-intensity on the pressure, he began to show obvious symptoms of mental illness. Soon after, though not violent, Patoshik to his parents house, waving the shotgun, walked into the bedroom, into the sleeping parents, moved to trigger dection, they will be killed. Although the nerve is very problematic, but for the escape this matter can be unambiguous, but also grateful for this, we watched the tense drama of the moment when there will be ease whenever he had the time to even out the background music has changed in light of the Scherzo .
㈧ 500词英文小说故事梗概和人物性格分析，要英文的
a touching story
一个感人的故事
One day, a poor boy who was trying to pay his way through school by selling goods door to door found that he only had one dime left.He was hungry so he decided to beg for a meal at the next house.
一天，一个贫穷的小男孩为了攒够学费正挨家挨户地推销商品， 饥寒交迫的他摸遍全身，却只有一角钱。于是他决定向下一户人家讨口饭吃。
However, he lost his nerve when a lovely young woman opened the door.Instead of a meal he asked for a drink of water.She thought he looked hungry so she brought him a large glass of milk.He drank it slowly, and then asked, "How much do I owe you?"
然而，当一位美丽的年轻女子打开房门的时候，这个小男孩却有点不知所措了。他没有要饭，只乞求给他一口水喝。这位女子看到他饥饿的样子，就倒了一大杯牛奶给他。男孩慢慢地喝完牛奶，问道：“我应该付多少钱？”
"You don't owe me anything," she replied."Mother has taught me never to accept pay for a kindness."He said, "Then I thank you from the bottom of my heart."As Howard Kelly left that house, he not only felt stronger physically, but it also increased his faith in God and the human race.
年轻女子微笑着回答：“一分钱也不用付。我妈妈教导我，施以爱心，不图回报。”男孩说：“那么，就请接受我由衷的感谢吧！”说完，霍华德-凯利就离开了这户人家，此时的他不仅自己浑身是劲儿，而且更加相信上帝和整个人类。
He was about to give up and quit before this point.The supreme happiness of life is the conviction that we are loved .
本来，他都打算放弃了。生活中最大的幸福是坚信有人爱我们。
Years later the young woman became critically ill. The local doctors were baffled.They finally sent her to the big city, where specialists can be called in to study her rare disease.Dr. Howard Kelly, now famous was called in for the consultation.When he heard the name of the town she came from, a strange light filled his eyes.Immediately, he rose and went down through the hospital hall into her room.
数年之后，那位女子得了一种罕见的重病，当地医生对此束手无策。最后，她被转到大城市医治，由专家会诊治疗。大名鼎鼎的霍华德-凯利医生也参加了医疗方案的制定。当他听到病人来自的那个城镇的名字时，一个奇怪的念头霎时间闪过他的脑际。他马上起身直奔她的病房。
Dressed in his doctor's gown he went in to see her. He recognized her at once.He went back to the consultation room and determined to do his best to save her life.From that day on, he gave special attention to her case.
身穿手术服的凯利医生来到病房，一眼就认出了恩人。回到会诊室后，他决心一定要竭尽所能来治好她的病。从那天起，他就特别关照这个对自己有恩的病人。
After a long struggle, the battle was won.Dr. Kelly requested the business office to pass the final bill to him for approval. He looked at it and then wrote something on the side.The bill was sent to her room.She was afraid to open it because she was positive that it would take the rest of her life to pay it off.Finally she looked, and the note on the side of the bill caught her attention. She read these words..."Paid in full with a glass of milk."
经过艰苦的努力，手术成功了。凯利医生要求把医药费通知单送到他那里，他看了一下，便在通知单的旁边签了字。当医药费通知单送到她的病房时，她不敢看。因为她确信，治病的费用将会花费她整个余生来偿还。最后，她还是鼓起勇气，翻开了医药费通知单，旁边的那行小字引起了她的注意，她不禁轻声读了出来：“医药费已付：一杯牛奶。”
Dr. Howard Kelly Tears of joy flooded her eyes as she prayed silently: "Thank You, God. Your love has spread through human hearts and hands."
喜悦的泪水溢出了她的眼睛，她默默地祈祷着：“谢谢你，上帝，你的爱已通过人类的心灵和双手传播了。
㈨ 跪求3-5篇英语短篇小说的主要内容与人物评价！！！（用英文！~）
2. In a small town of st petersburg, have a very naughty, but a good boy, tom, he hates school for the insipidity of the life, hoping that can and the like the exciting life. one day, tom and huckleberry had left home and went to a desert island, a few days of his life. they know that a case, a critical moment, tom has a very fierce ： joe. tom was afraid of retaliation by joe,Was always uneasy. he and huckleberry a haunted house when he found joe, then the murderer death in the cave. tom and huck ley had a lot of coins.
1。The old man and the sea is a fisherman eighty-four days have hooked a fish, and nearly died of hunger ； but he still wouldn't admit defeat in the eighty-fifth day catches a great fish. fish mullin pulled the boat to the sea, but the old man still held, even if there is no water, no food, no, no, he does not lose heart. after two days and nights later, he eventually killed the fish, and put it on a ship.But many of the shark was immediately come to rob him of killing them, all ； him to last only a broken on the tiller as a weapon. however, the fish were still wet, finally, the old man just dragged a 鱼骨 head. he went home in bed, from dreams of yesteryear to find a good time.